Four tools · published by Line Media

Tools that do the
boring half of the job.

A little production magic

BroadcastWitch is four small programs written by a production company that got tired of doing this work by hand. They run on your own machine, they write standard files that open in the software you already use, and then they get out of the way.

A close-up of BW Logger: the source bus with VT on preview, and below it the timeline being written, its clips coloured and named by camera with the playhead at the live edge.

BW Logger

90€ one-time

You cut it live, the rushes are already sorted.

It sits next to your Blackmagic Design ATEM and records every take, transition, key and marker to the frame. When the show ends it hands you a multi-track timeline that opens in DaVinci Resolve, Premiere Pro or Final Cut Pro, with each camera's ISO already attached.

  • Every cut, key and SuperSource layout, frame-accurate
  • FCPXML, FCP7 XML, EDL and a real Final Cut multicam
  • A phone remote so the director can mark their own replays
  • macOS (Apple Silicon) and Linux
See BW Logger On sale now
The agenda page BW Minutes produced: a 3 h 32 recording of the Roubaix council on the left, and beside it the timecoded list of its 18 deliberations, each line jumping to that moment.

BW Minutes

From 29€ a month

The meeting ends. The page is ready.

Hand it the recording of a council meeting, a board or an assembly, forty minutes or six hours. It gives back a clickable, timecoded agenda page ready to publish, a summary of each item, the outcome of every vote with the sentence that produced it, subtitles, a YouTube chapter block and chapter markers for the edit. Nothing is uploaded anywhere.

  • Transcription and chaptering entirely on your machine
  • A published page in the idiom of a French public website
  • Vote outcomes, each with its verbatim quote and timecode
  • Reads BW Logger markers as anchor points
See BW Minutes First month is the trial
A close-up of the BW Coven multiview: four camera outputs at once, two of them tight on the speaker with his name on the rail, one on the reaction and one on the whole room.

BW Coven

140€ one-time

One click on a name, and the room is covered.

A room full of elected members, several PTZ cameras, one operator who is also cutting the show. BW Coven makes the room the primary object: positions belong to the room, geometry decides which camera takes the close-up, and the lower third for whoever sits there is already on the rail.

  • A hundred positions per room, not capped by camera memory
  • VISCA over IP, Panasonic AW, ONVIF; vMix, CasparCG, OBS
  • A camera on air never moves: its move waits
  • Exports who was on screen, for BW Minutes
See BW Coven Try the room
The BW Familiar window in field mode: a map of the pitch with the resolved play point, the tight camera above it and two wides placed at the side and facing.

BW Familiar

In trials, access on request

You drive one camera. The others follow.

In sport the action never comes back to the same place, so presets are useless and you would need one operator per head. BW Familiar asks for one: you drive the tight camera at the panel, and the other cameras hold the same subject, each from where it stands. Take one back by hand and it releases itself.

  • Two modes: a taught envelope, or a field point each camera aims at
  • Parallax of side and facing cameras is settled
  • Zoom is never replicated: a wide stays wide
  • Drivable with a PS5 controller: sticks, presets and eight buttons
  • VISCA over IP, all on your Mac, nothing leaves it
See BW Familiar In field trials

What they have in common

Boring in the ways that matter.

They run on your machine

No account, no upload, no cloud service in the middle. BW Logger talks to your switcher on your own network; BW Minutes transcribes on the computer in front of you.

Activate once, then offline

A license needs the internet exactly once. After that the machine runs offline indefinitely, with no expiry and no periodic check that could strand you mid-show.

Standard files, not a walled garden

FCPXML, EDL, SRT, WebVTT, JSON, CSV, plain HTML. Everything they write opens somewhere else, and keeps working if we vanish.

Paid once, or by what you use

BW Logger and BW Coven are one-time purchases. BW Minutes is a monthly plan, because it is priced by the meetings you process and that grows with your client book.

Built by people who use them

Line Media films live events for a living. Each of these started as a tool we needed on a job, which is why they solve the awkward parts rather than the demo-friendly ones.

We say what they cannot do

BW Coven's page shows the shot assignment being made rather than claiming it. BW Minutes publishes no accuracy percentage until we have measured one properly. Straight answers are cheaper than support tickets.

Who we are

Line Media, Lyon.

Line Media is a French production company in Lyon. We film live events, sport and conferences, and we cut them afterwards, which is how each of these tools came to exist: something in the workflow was being done by hand, repeatedly, badly, at midnight.

BroadcastWitch is the name we publish them under. If one of them is close to what you need but not quite it, write and say so, because that is roughly how all three got their most useful features.

Write to us

contact@linemedia.fr reaches a person.

A little production magic

Start with the one that hurts most.